Swara Bhasker (also spelled Bhaskar; born 9 April 1988) is an Indian actress who works in Hindi-language films. She is recognised for her supporting performances in mainstream Bollywood productions and for her leading roles in independent cinema. Over the course of her career, she has won two Screen Awards and received four Filmfare Award nominations.
| Name | Swara Bhasker |
|---|---|
| Alternative spelling | Bhaskar |
| Born | 9 April 1988 |
| Nationality | Indian |
| Occupation | Actress |
| Industry | Hindi cinema (Bollywood) |
| Debut film | Madholal Keep Walking (2009) |
| Major awards | Two Screen Awards |
| Filmfare nominations | Four |
Bhasker made her film debut in the 2009 drama Madholal Keep Walking, in which she played a supporting role. The film was a commercial failure, but it marked her entry into Hindi cinema.
She received wider recognition in 2011 with her supporting role in the romantic comedy-drama Tanu Weds Manu, which proved to be a commercial success. The performance earned her critical praise and her first nomination for the Filmfare Award for Best Supporting Actress.
In 2013, she appeared in the critically acclaimed romantic drama Raanjhanaa, for which she received a second Filmfare Award for Best Supporting Actress nomination.
In 2015, Bhasker reprised her role in Tanu Weds Manu Returns, the sequel to her 2011 breakthrough, and also appeared in the family drama Prem Ratan Dhan Payo. Both films were among the highest-grossing Hindi films of the year.
Bhasker took on starring roles in two independent films that brought her further acclaim. For Nil Battey Sannata (2016), she won the Screen Award for Best Actress (Critics). She followed this with Anaarkali of Aarah (2017), which earned her a nomination for the Filmfare Award for Best Actress (Critics).
In 2018, she featured in the comedy-drama Veere Di Wedding, which earned her a third nomination for the Filmfare Award for Best Supporting Actress.
Bhasker's career is notable for the way she has balanced supporting roles in commercially successful mainstream productions with leading roles in smaller, content-driven independent films. Her work in films such as Nil Battey Sannata and Anaarkali of Aarah has been cited as part of a broader trend in Hindi cinema during the mid-2010s, in which female-led independent productions received both critical and awards recognition.