-
Main menu
- Sign in
Bhaag Milkha Bhaag (Hindi for "Run Milkha Run") is a 2013 Indian Hindi-language biographical sports drama film directed by Rakeysh Omprakash Mehra and written by Prasoon Joshi. The film is based on the life of Indian track and field sprinter Milkha Singh, popularly known as the "Flying Sikh", who overcame the trauma of the Partition of India to become one of the country's most celebrated athletes.
| Title | Bhaag Milkha Bhaag |
|---|---|
| Director | Rakeysh Omprakash Mehra |
| Writer | Prasoon Joshi |
| Producers | Rakeysh Omprakash Mehra, Viacom18 Motion Pictures, P. S. Bharathi |
| Lead cast | Farhan Akhtar, Sonam Kapoor, Divya Dutta, Pavan Malhotra, Yograj Singh, Prakash Raj, Meesha Shafi |
| Music | Shankar–Ehsaan–Loy |
| Lyrics | Prasoon Joshi |
| Cinematography | Binod Pradhan |
| Editing | P. S. Bharathi |
| Language | Hindi |
| Release date | 12 July 2013 |
| Genre | Biographical sports drama |
The film is an authorised biographical account based on the life of Milkha Singh, who represented India in the 400 metres at the 1960 Rome Olympics, where he finished fourth in the final, narrowly missing a medal. Milkha Singh granted the rights to his life story to Mehra for a token sum of one rupee, on the condition that a portion of the film's profits be donated to the Milkha Singh Charitable Trust, which supports underprivileged sportspersons.
Prasoon Joshi conducted extensive interviews with Milkha Singh and his family before writing the screenplay. Farhan Akhtar underwent a rigorous physical transformation and athletic training over more than a year to portray the sprinter on screen.
The narrative follows Milkha Singh's life through a non-linear structure. As a child in Govindpura (in present-day Pakistan), he witnesses the killing of his family during the violence of the 1947 Partition. He arrives in Delhi as a refugee and grows up in displacement camps. After joining the Indian Army, he discovers his talent for running, eventually rising to national prominence. The film traces his journey through the 1958 Asian Games in Tokyo, the 1958 Commonwealth Games in Cardiff (where he won gold in the 440 yards), and culminates with his celebrated race against Pakistan's Abdul Khaliq in Lahore, as well as his Olympic experience at Rome.
Principal photography took place across multiple locations in India and abroad, including Punjab, Delhi, Chandigarh, Ladakh, Australia (Melbourne and Perth, doubling for international venues), and other locations. The production design recreated the Partition-era refugee experience as well as period sporting venues from the 1950s and 1960s. Farhan Akhtar trained under athletics coaches and adopted a dedicated diet and fitness regime to match the physique and running form of an elite sprinter.
The soundtrack was composed by Shankar–Ehsaan–Loy with lyrics by Prasoon Joshi. Notable tracks include "Bhaag Milkha Bhaag", "Zinda", "Maston Ka Jhund", "Havan Karenge" and "Mera Yaar". The music was released by T-Series.
The film was released theatrically on 12 July 2013. It received widespread critical acclaim, with particular praise for Farhan Akhtar's performance, Mehra's direction, Joshi's screenplay, and the technical departments. It performed strongly at the box office, becoming one of the highest-grossing Hindi films of 2013.
Bhaag Milkha Bhaag won the National Film Award for Best Popular Film Providing Wholesome Entertainment at the 61st National Film Awards. At the 59th Filmfare Awards, it won several major honours, including Best Film, Best Director for Rakeysh Omprakash Mehra, and Best Actor for Farhan Akhtar. Divya Dutta received the Filmfare Award for Best Supporting Actress for her portrayal of Ishri Kaur. The film also won awards at the Producers Guild Film Awards, Screen Awards, and IIFA Awards.
The film is widely regarded as a landmark in the Indian sports biopic genre, paving the way for subsequent biographical films on Indian sportspersons such as Mary Kom, M.S. Dhoni: The Untold Story, Dangal and Soorma. It brought renewed public attention to Milkha Singh's achievements and to the broader history of Indian athletics. The film also engaged seriously with the Partition as personal trauma, situating sporting achievement within the larger context of post-independence Indian history.